Most of us know Man Ray as a surrealist photographer, the inventive eye who transformed an odalisque into a human violin and a teardrop into a glowing, liquid orb. Yet a bold exhibition, entitled "Man Ray: Printmaker," argues that despite his reputation as a photographer, the artist himself considered painting his primary medium of choice. Le violon d'Ingres, 1969 Lithograph, 27 ½ x 19 ¼ inches Along with other artists like Salvador Dali and Marcel Duchamp, Man Ray spearheaded an artistic move...
Most of us know Man Ray as a surrealist photographer, the inventive eye who transformed an odalisque into a human violin and a teardrop into a glowing, liquid orb. Yet a bold exhibition, entitled "Man Ray: Printmaker," argues that despite his reputation as a photographer, the artist himself considered painting his primary medium of choice. Le violon d'Ingres, 1969 Lithograph, 27 ½ x 19 ¼ inches Along with other artists like Salvador Dali and Marcel Duchamp, Man Ray spearheaded an artistic move...
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